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I feel that we’ve met before,” Ocho says, after ruminating on the fact that humans are always partially alone, even in relationships.
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Space age love song movie tv#
Javi directs a kids’ TV show in Berlin, and has a daughter with his husband, with whom he is in an open relationship. Ocho, a poet, has recently split from his partner of 20 years, and doesn’t want kids. Drinking wine on the roof after a day out, they discuss their professions, relationship statuses, and opinions on child-rearing. When Javi (Ramón Pujol) enters the apartment, the two devour each other almost immediately in the first of many passionate sex scenes, all of which manage to balance hotness with tastefulness. Like the rest of this delicate little film, this opening mating call feels both breezy and ripe with meaning, neither heavy-handed nor frivolous.
Space age love song movie movie#
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Though no one speaks for the first 12 minutes of the film, the engaging opening relies solely on the capable and strong shoulders of Ocho (Juan Barberini), an Argentinian visiting Barcelona by way of New York. Written and directed by Argentinian filmmaker Lucio Castro in his feature debut, “End of the Century” is the natural descendant of lush romances like “Weekend” and “Call Me By Your Name,” and will certainly endure as one of the most evocative gay films of the decade. Like a great poem, “End of the Century” gives voice to a seemingly indescribable feeling, one anyone who’s ever fallen in love will recognize from deep in their soul - as if bumping into an old friend you forgot how much you liked. Few films have captured the dual fleeting and enduring nature of intimate connection as poignantly as “ End of the Century.” The film, an elegant three-hander that mostly revolves around two men who meet-cute on a Barcelona balcony, leaves a lingering impression on the heart.